THE NEAR AND BRIGHT EXPANSE

2022

acrylic paint, enamel paint, spray paint, polystyrene mixture on aluminum screen

Montgomery Museum of Fine Arts, Montgomery, AL

LUCENT SHIFTS

2017

reflective plastic

THE UNDOING

2016

packaging foam sheets

LACE | Los Angeles Contemporary Exhibitions

Photos by Chris Wormald

AMASS AND SWELL

2015

foam pit blocks, packaging foam, acoustic foam, foam sheets

Orange County Museum of Art Newport Beach, CA

Select photos by Chris Bliss

The Widening Hold

2024

acrylic and polystyrene mixture on aluminum screen, garden netting, cable wire, wire, acrylic rods, found materials

Photos by Michelle Westmark-Wingard

ACROSS THE RISE

2022

metal fencing, acrylic paint, reflective plastic

photos by Robert Wedemeyer

RELEASE

2012

found fabric

LUCENT SHIFTS AT LAX

2020

reflective plastic

Terminal 7 Los Angeles International Airport

Photos by: Panic Studio LA, courtesy of Los Angeles World Airports (LAWA) and City of Los Angeles Department of Cultural Affairs (DCA)

BLESSINGS ALL AROUND

2011

warning barrier, pickets

WHAT COMES THROUGH

2019

mylar, wood stakes

Concordia University, Irvine, CA

ARRAY

2011

sponges

EXPECTATION

2014

flagging tape

Djerassi Resident Artist Program Woodside, CA

MOEITY

2018

paper, cellophane, mixed media, netting

Collaboration with artists from ECF Art Center, San Pedro, CA.

ECF Art Centers support personal artistic growth for adults with developmental disabilities.

왕국 | Wangguk

2020

marking flags

왕국 | Wangguk was installed in a public park in Long Beach, CA. The work was part of a county-wide outdoor exhibition during the COVID-19 pandemic.

The term, wangguk, translates as 'kingdom' in Korean. In response to the rise of anti-Asian discrimination during the pandemic, this work considers what it means to inhabit a place. It questions who controls the narrative of where one belongs.

MOVING THE LINE

2013

vinyl tape

THE CONSTANCE OF GLORY

2022

foil and paint

PROPAGATE

2012

specimen container lids

VARIANT DEPTHS

2018

specimen container lids

BLOOM

2017

marking whiskers

Santa Monica Mountains, CA

TANG BARRAGE

2014

marking flags

LUCENT SHIFTS AT LAMAG

2018

reflective plastic

Los Angeles Municipal Art Gallery

TRANSLATION at LAX

2017

books on fencing

Tom Bradley International Terminal Los Angeles International Airport

Photos by: Panic Studio LA, courtesy of Los Angeles World Airports (LAWA) and City of Los Angeles Department of Cultural Affairs (DCA)

TRANSLATION

2019

books

Alyce de Roulet Williamson Gallery

ArtCenter College of Design

Pasadena, CA

STUDY I

2022

washi paper, cable wire, mylar, chain, polyester filling

LIGHTLY, FREELY, HAPPILY

2022

acrylic on wireform

Community members from LA and Orange County made each piece in Lightly, Freely, Happily. This project was a collaboration with artist Olga Lah, Art Supply Warehouse, The Miller Room at the Long Beach Public Library, Long Beach Arts Council and Amsterdam Acrylic.

Photos by Brandon Shigeta

STRETCHED OUT FOR THE LONG HAUL

2013

sponges

FOR THE LAND

2011

paper

Untitled

2022

aluminum screen mesh, acrylic paint, polystyrene mixture

THE CONSTANCE OF GLORY

2019

foil and paint

COMPLINE

2011

chairs

Translation at Papercut Lounge

2018

books on fencing

Papercut Lounge in conjunction with POW! WOW! International

HORIZONTAL TO THE VERTICAL

2013

paper

San Cresci Church Greve-in-Chianti, Italy

Horizontal to the Vertical is based on a Carthusian idea of perceiving an environment: the horizontal leads to the vertical and from there again, to the widened horizontal.